Reading Wednesday
May. 23rd, 2018 01:46 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
brigdhWhat did you just finish?
The Pride of Chanur by C.J. Cherryh. A space opera more concerned with ethics and friendships than battles and politics. The Pride of Chanur is a merchant ship crewed by the Hani, a lion-like species in which the females are in charge of trade and diplomacy while the males stay back home and fight one another for control of powerful households. Captain Pyanfar is on a typical trip, docked at a trading station, when a strange, naked alien that looks like nothing she's ever seen (though readers will quickly recognize it as a human) runs onto her ship. Another species, the Kif, soon demand its return, but Pyanfar refuses, as much because she dislikes the Kif and is happy to annoy them than for any deep reason. That choice lands her and her crew in escalating danger, as the Kif are determined to get the alien back and will declare war to do it and other species are drawn into the conflict.
A great deal of the book is about the difficulty of translation; even with long-contacted species like the Kif, the Hani are forced to communicate in short, broken sentences and deal with deep cultural differences. With the humans, they're starting from the ground up, and matters like gestures, clothing, and food are as prone to misunderstandings as language itself. How do you even tell the difference between an sentient alien and an animal, if you have nothing in common? I loved this sociological part of the book.
Unfortunately, I didn't like much of the rest of The Pride of Chanur. I didn't connect emotionally with any of the characters, I found the descriptions of space travel deeply confusing, and I have no idea at all how Hani society is supposed to function. For example, it seems like the male fights over households are supposed to be one-on-one, but then we're given a description of a whole crew invading and pillaging an enemy house. Is that illegal? Are there laws regulating these fights? What does a new male leader mean to the daughters and sisters of the former ruler – are they cast out too, or do they just have to obey a new boss? All of this is pretty important to the climax, but I just couldn't figure it out.
The Pride of Chanur has its positives, but I don't think I'll be reading the sequels unless someone talks me into it.
Cibola Burn by James S.A. Corey. The fourth book in The Expanse series, and so inevitably this review will contain spoilers for previous books.
After the events of Abaddon's Gate , humanity suddenly has access to thousands of solar systems, most with inhabitable, Earth-like planets. And yet in a very believable, petty example of human nature, we're fighting a war over just one. The Cibola in the title is metaphorical; it's one of the mythical 'cities of gold' the Spanish conquistadors searched and killed for in their early days in the New World. The idea of being beyond the law, of pillaging fortunes from a new land, is a major theme in this book, and Cortez and his methods get name-dropped at least twice.
A group of refugees, homeless after Ganymede was torn apart by war, riots, and alien monsters, settle on a planet they name Ilus. At the same time, the UN grants the Royal Charter Energy corporation the exploration and exploitation rights to the same planet, which they've named New Terra. This immediately sets up several consequential questions that no one has the answer to: since the refugees beat RCE to Ilus/New Terra by a year, do they have rights of priority? Does the UN even have the authority to give out contracts over these new planets? Where do Mars and the Outer Planet Alliance stand? Who owns the lithium ore the refugees have already mined and transported into space? And since the rest of humanity is months or even years away from Ilus/New Terra, can anyone stop RCE and the refugees from killing each other before politicians settle the matter?
James Holden and the crew of the Rocinante are sent in to act as mediators, since a) Holden is, by this point, a popular celebrity, and b) as an Earth native and former OPA operative, he can be seen as neutral. Unfortunately matters quickly grow beyond his ability to control them, particularly when the defense system set up by long-dead aliens wakes up and adds a third front to the killing-everyone campaign.
As always in The Expanse series, we have a set of new POVs. Unfortunately this time I didn't like any of them as much as usual. Holden repeats again, and our others are Basia Merton, Elvi Okoye, and Dimitri Havelock.
Basia was formerly a minor character in Caliban's War, the father of one of the other kidnapped children. His son died, and in reaction to that Basia has become fiercely, perhaps stupidly, protective of his surviving family. They are some of the refugees, and Basia's grief leads him to make several dangerous choices when confronted by the RCE. He's a sympathetic character, but I just didn't find him as captivating as Avasarala, Bobbie, or Pastor Anna.
Havelock was also a minor character before; he was Detective Miller's partner in Leviathan Wakes. Now he's second-in-command of security for the RCE. It's just too bad that his boss is Murtry, a straight-up sociopath who doesn't care how many people he has to kill to give RCE an advantage. Havelock explicitly says that he's overly influenced by the people around him, and so goes along with Murtry's plan for far too long. As a character arc, this did not work for me at all. There is some suspense in waiting to see if Havelock will grow a spine and do the right thing, but it's not nearly as intriguing than if he was genuinely convinced of Murtry's ideas and had to change his mind, or was in some sort of physical danger that prevented him from helping the heroes.
Finally, we have Elvi, an exo-zoologist working as part of RCE's science exploration team. More than anyone else, she understands Ilus/New Terra and how very different it is from Earth, despite superficial similarities. She makes several important discoveries that save lives, but she's dangerously naive regarding politics and human relationships. She also falls desperately in love with Holden and begins to act like a besotted teenager; this is believable as a reaction to the stress and life-threatening circumstances she finds herself in – and the narration does make it clear that's what's happening – but it was still somewhat annoying to read. It was hard to take her seriously as a respected professor when she was blushing and stammering over her crush.
Overall, I didn't like this book as much as the previous ones in the series. It just wasn't as exciting and the characters weren't as likeable. On the other hand, I did really enjoy the found-family vibes between Holden and his crew: Naomi, Amos, and Alex. (Which reminds me: I forgot to mention the AMAZING scene in Caliban's War where Holden literally proposes marriage to the whole crew. He's half-joking, suggesting it more as a way for them to easily become co-owners of their spaceship than to actually enter into a poly romance, but I still loved it.) We have Amos nearly murdering people when Naomi is taken hostage, Naomi issuing vicious threats when Alex's safety is endangered, and Holden going to new extremes to protect Amos. It's just a whole circle of love and family-of-choice and it is my very favorite trope. I'm totally giving this book an extra star just for that.
In general, Cibola Burn is a step down in quality from previous books, but I'll still be reading the sequel.
How Not to Kill Your Houseplant: Survival Tips for the Horticulturally Challenged by Veronica Peerless. A really excellent how-to guide for houseplants, possibly the best book on the topic I've ever seen. It's split into two halves, with "The Basics" offering general tips and "The Houseplants" giving specific guidance on 119 common species. How Not to Kill Your Houseplant is aimed towards newbies, but it also included tricks that were new to me, such as how to save an overwatered plant by wrapping its soil in newspaper. I particularly liked the troubleshooting offered in "The Houseplants"; it explains, for instance, that yellow leaves on one plant might mean it needs more water, while yellow leaves on another species might indicate that it's getting too much sunlight. It's easy to look up your specific plants and get tips on how to best care for them.
How Not to Kill Your Houseplant is available as both an ebook and a physical book, but I'd highly recommend the physical book. It's beautifully laid out, with a collage-like style that mixes photographs and abstract cutouts.
A great book for anyone who raises houseplants, 'horticulturally challenged' or not!
I read this as an ARC via NetGalley.
One Way by S.J. Morden. A sci-fi thriller set in the near future: 2048, to be exact. Mars has been visited, and it's time for humanity to build a permanent base there for the ease of future astronauts. But how to do it? Robots are expensive and prone to breaking down, whereas human labor is even more expensive and when they break down there's likely to be lawsuits from family members. Xenosystems Operations, the company who has contracted with NASA to build the base, hits on the perfect solution: convict labor. After all, it's not like they can escape; they'll be on fucking Mars, and there's not a lot of spare oxygen or rocket ships for them to steal. XO runs a private prison in California (named Panopticon; subtle, Morden), so all they have to do is select a team of seven people with life-sentences who are willing to serve the rest of their time on Mars, give them a few months of training, and send them on a one-way journey – even once the base is built, they'll be a need for maintenance and janitorial services, since astronauts have more important things to do than unclog drains or charge batteries. In exchange, the prisoners get work they can be proud of and a bit more freedom in their daily lives.
Frank is our narrator and main character. Sentenced to life for murdering his son's drug dealer, Frank is a former construction worker, an obviously useful background. He and his team of six other prisoners, each with their own specialities (transportation, plumbing, electricity, computers, hydroponics, and a doctor), plus an XO employee to be their guard/boss, quickly find out that XO has cut every possible corner to save money. They have no redundant supplies in case of wear or mishap; broken or missing necessary parts; barely enough food to get them through; problems with producing their own oxygen, water, and power; and not enough training for emergencies. Unsurprisingly, this quickly starts to take its toll, and people die in easily preventable accidents. Except by the third death, Frank suspects that they're not just accidents – someone on the team is deliberately murdering the others. He has no one he trusts, help from Earth is months away, and in the harsh environment of Mars the smallest mistake can kill, so Frank is left to figure out the murderer by himself before he's the next victim.
Morden is an excellent writer of tension; there's several wonderfully dramatic scenes involving characters in spacesuits running out of time on their oxygen supplies that were heart-pounding and thrilling. Unfortunately he's not a great author of mysteries. The murderer is SUPER obvious, so much so that it makes Frank look dumb for taking so long to figure it out. At the point where Frank discovers a bunch of empty oxycontin packets around the murderer's bed and still doesn't think it might be him, I had to groan out loud. (Of course, being a drug addict doesn't make one a murderer, except that this is totally the kind of book where it does.) I also had problems with Morden's science writing; I think he expects his average reader to know more about space than I, at least, do. There was a lot of techno-jargon I didn't know, and I never could manage to picture what the base Frank and the others built was supposed to look like.
On the other hand, I am highly predisposed to like a book that's this critical of the use of convict labor for corporate profit, and the excerpts scattered throughout of XO's private communications really make it clear how far down the path of evil a bit of greed and pure capitalism can get you. Hooray for a nice dose of contemporary politics in my escapist reading!
I do want to note – because I didn't know before reading it – One Way is not a stand-alone. A sequel is due out soon. Nonetheless, One Way ends at a good point, with almost all of the plot threads wrapped up. You won't feel like you've gotten only half of the story if you read this book alone.
I read this as an ARC via NetGalley.
What are you currently reading?
I haven't decided! I just finished One Way and haven't picked out my next book from my very long to-read list.
The Pride of Chanur by C.J. Cherryh. A space opera more concerned with ethics and friendships than battles and politics. The Pride of Chanur is a merchant ship crewed by the Hani, a lion-like species in which the females are in charge of trade and diplomacy while the males stay back home and fight one another for control of powerful households. Captain Pyanfar is on a typical trip, docked at a trading station, when a strange, naked alien that looks like nothing she's ever seen (though readers will quickly recognize it as a human) runs onto her ship. Another species, the Kif, soon demand its return, but Pyanfar refuses, as much because she dislikes the Kif and is happy to annoy them than for any deep reason. That choice lands her and her crew in escalating danger, as the Kif are determined to get the alien back and will declare war to do it and other species are drawn into the conflict.
A great deal of the book is about the difficulty of translation; even with long-contacted species like the Kif, the Hani are forced to communicate in short, broken sentences and deal with deep cultural differences. With the humans, they're starting from the ground up, and matters like gestures, clothing, and food are as prone to misunderstandings as language itself. How do you even tell the difference between an sentient alien and an animal, if you have nothing in common? I loved this sociological part of the book.
Unfortunately, I didn't like much of the rest of The Pride of Chanur. I didn't connect emotionally with any of the characters, I found the descriptions of space travel deeply confusing, and I have no idea at all how Hani society is supposed to function. For example, it seems like the male fights over households are supposed to be one-on-one, but then we're given a description of a whole crew invading and pillaging an enemy house. Is that illegal? Are there laws regulating these fights? What does a new male leader mean to the daughters and sisters of the former ruler – are they cast out too, or do they just have to obey a new boss? All of this is pretty important to the climax, but I just couldn't figure it out.
The Pride of Chanur has its positives, but I don't think I'll be reading the sequels unless someone talks me into it.
Cibola Burn by James S.A. Corey. The fourth book in The Expanse series, and so inevitably this review will contain spoilers for previous books.
After the events of Abaddon's Gate , humanity suddenly has access to thousands of solar systems, most with inhabitable, Earth-like planets. And yet in a very believable, petty example of human nature, we're fighting a war over just one. The Cibola in the title is metaphorical; it's one of the mythical 'cities of gold' the Spanish conquistadors searched and killed for in their early days in the New World. The idea of being beyond the law, of pillaging fortunes from a new land, is a major theme in this book, and Cortez and his methods get name-dropped at least twice.
A group of refugees, homeless after Ganymede was torn apart by war, riots, and alien monsters, settle on a planet they name Ilus. At the same time, the UN grants the Royal Charter Energy corporation the exploration and exploitation rights to the same planet, which they've named New Terra. This immediately sets up several consequential questions that no one has the answer to: since the refugees beat RCE to Ilus/New Terra by a year, do they have rights of priority? Does the UN even have the authority to give out contracts over these new planets? Where do Mars and the Outer Planet Alliance stand? Who owns the lithium ore the refugees have already mined and transported into space? And since the rest of humanity is months or even years away from Ilus/New Terra, can anyone stop RCE and the refugees from killing each other before politicians settle the matter?
James Holden and the crew of the Rocinante are sent in to act as mediators, since a) Holden is, by this point, a popular celebrity, and b) as an Earth native and former OPA operative, he can be seen as neutral. Unfortunately matters quickly grow beyond his ability to control them, particularly when the defense system set up by long-dead aliens wakes up and adds a third front to the killing-everyone campaign.
As always in The Expanse series, we have a set of new POVs. Unfortunately this time I didn't like any of them as much as usual. Holden repeats again, and our others are Basia Merton, Elvi Okoye, and Dimitri Havelock.
Basia was formerly a minor character in Caliban's War, the father of one of the other kidnapped children. His son died, and in reaction to that Basia has become fiercely, perhaps stupidly, protective of his surviving family. They are some of the refugees, and Basia's grief leads him to make several dangerous choices when confronted by the RCE. He's a sympathetic character, but I just didn't find him as captivating as Avasarala, Bobbie, or Pastor Anna.
Havelock was also a minor character before; he was Detective Miller's partner in Leviathan Wakes. Now he's second-in-command of security for the RCE. It's just too bad that his boss is Murtry, a straight-up sociopath who doesn't care how many people he has to kill to give RCE an advantage. Havelock explicitly says that he's overly influenced by the people around him, and so goes along with Murtry's plan for far too long. As a character arc, this did not work for me at all. There is some suspense in waiting to see if Havelock will grow a spine and do the right thing, but it's not nearly as intriguing than if he was genuinely convinced of Murtry's ideas and had to change his mind, or was in some sort of physical danger that prevented him from helping the heroes.
Finally, we have Elvi, an exo-zoologist working as part of RCE's science exploration team. More than anyone else, she understands Ilus/New Terra and how very different it is from Earth, despite superficial similarities. She makes several important discoveries that save lives, but she's dangerously naive regarding politics and human relationships. She also falls desperately in love with Holden and begins to act like a besotted teenager; this is believable as a reaction to the stress and life-threatening circumstances she finds herself in – and the narration does make it clear that's what's happening – but it was still somewhat annoying to read. It was hard to take her seriously as a respected professor when she was blushing and stammering over her crush.
Overall, I didn't like this book as much as the previous ones in the series. It just wasn't as exciting and the characters weren't as likeable. On the other hand, I did really enjoy the found-family vibes between Holden and his crew: Naomi, Amos, and Alex. (Which reminds me: I forgot to mention the AMAZING scene in Caliban's War where Holden literally proposes marriage to the whole crew. He's half-joking, suggesting it more as a way for them to easily become co-owners of their spaceship than to actually enter into a poly romance, but I still loved it.) We have Amos nearly murdering people when Naomi is taken hostage, Naomi issuing vicious threats when Alex's safety is endangered, and Holden going to new extremes to protect Amos. It's just a whole circle of love and family-of-choice and it is my very favorite trope. I'm totally giving this book an extra star just for that.
In general, Cibola Burn is a step down in quality from previous books, but I'll still be reading the sequel.
How Not to Kill Your Houseplant: Survival Tips for the Horticulturally Challenged by Veronica Peerless. A really excellent how-to guide for houseplants, possibly the best book on the topic I've ever seen. It's split into two halves, with "The Basics" offering general tips and "The Houseplants" giving specific guidance on 119 common species. How Not to Kill Your Houseplant is aimed towards newbies, but it also included tricks that were new to me, such as how to save an overwatered plant by wrapping its soil in newspaper. I particularly liked the troubleshooting offered in "The Houseplants"; it explains, for instance, that yellow leaves on one plant might mean it needs more water, while yellow leaves on another species might indicate that it's getting too much sunlight. It's easy to look up your specific plants and get tips on how to best care for them.
How Not to Kill Your Houseplant is available as both an ebook and a physical book, but I'd highly recommend the physical book. It's beautifully laid out, with a collage-like style that mixes photographs and abstract cutouts.
A great book for anyone who raises houseplants, 'horticulturally challenged' or not!
I read this as an ARC via NetGalley.
One Way by S.J. Morden. A sci-fi thriller set in the near future: 2048, to be exact. Mars has been visited, and it's time for humanity to build a permanent base there for the ease of future astronauts. But how to do it? Robots are expensive and prone to breaking down, whereas human labor is even more expensive and when they break down there's likely to be lawsuits from family members. Xenosystems Operations, the company who has contracted with NASA to build the base, hits on the perfect solution: convict labor. After all, it's not like they can escape; they'll be on fucking Mars, and there's not a lot of spare oxygen or rocket ships for them to steal. XO runs a private prison in California (named Panopticon; subtle, Morden), so all they have to do is select a team of seven people with life-sentences who are willing to serve the rest of their time on Mars, give them a few months of training, and send them on a one-way journey – even once the base is built, they'll be a need for maintenance and janitorial services, since astronauts have more important things to do than unclog drains or charge batteries. In exchange, the prisoners get work they can be proud of and a bit more freedom in their daily lives.
Frank is our narrator and main character. Sentenced to life for murdering his son's drug dealer, Frank is a former construction worker, an obviously useful background. He and his team of six other prisoners, each with their own specialities (transportation, plumbing, electricity, computers, hydroponics, and a doctor), plus an XO employee to be their guard/boss, quickly find out that XO has cut every possible corner to save money. They have no redundant supplies in case of wear or mishap; broken or missing necessary parts; barely enough food to get them through; problems with producing their own oxygen, water, and power; and not enough training for emergencies. Unsurprisingly, this quickly starts to take its toll, and people die in easily preventable accidents. Except by the third death, Frank suspects that they're not just accidents – someone on the team is deliberately murdering the others. He has no one he trusts, help from Earth is months away, and in the harsh environment of Mars the smallest mistake can kill, so Frank is left to figure out the murderer by himself before he's the next victim.
Morden is an excellent writer of tension; there's several wonderfully dramatic scenes involving characters in spacesuits running out of time on their oxygen supplies that were heart-pounding and thrilling. Unfortunately he's not a great author of mysteries. The murderer is SUPER obvious, so much so that it makes Frank look dumb for taking so long to figure it out. At the point where Frank discovers a bunch of empty oxycontin packets around the murderer's bed and still doesn't think it might be him, I had to groan out loud. (Of course, being a drug addict doesn't make one a murderer, except that this is totally the kind of book where it does.) I also had problems with Morden's science writing; I think he expects his average reader to know more about space than I, at least, do. There was a lot of techno-jargon I didn't know, and I never could manage to picture what the base Frank and the others built was supposed to look like.
On the other hand, I am highly predisposed to like a book that's this critical of the use of convict labor for corporate profit, and the excerpts scattered throughout of XO's private communications really make it clear how far down the path of evil a bit of greed and pure capitalism can get you. Hooray for a nice dose of contemporary politics in my escapist reading!
I do want to note – because I didn't know before reading it – One Way is not a stand-alone. A sequel is due out soon. Nonetheless, One Way ends at a good point, with almost all of the plot threads wrapped up. You won't feel like you've gotten only half of the story if you read this book alone.
I read this as an ARC via NetGalley.
What are you currently reading?
I haven't decided! I just finished One Way and haven't picked out my next book from my very long to-read list.
